Spellbinding Music
Genre-bending & spine-tingling
A hugely original feature film which premiered at the Sundance Film Festival in January 2019, The Last Black Man in San Francisco marked a series of firsts. Designed from an initial Kickstarter campaign and a subsequent short film, the production is American filmmaker Joe Talbot’s first full-length feature film. It stars …
Continue Reading about Emile Mosseri: The Last Black Man in San Francisco →
Based in coastal Provence, Dominique Charpentier is a young French pianist and composer whose music is also informed by other instruments such as accordion, guitar or ukulele. Starting the piano at a very young age and honing his skills by covering a huge range of musical styles on his YouTube channel, the musician has gradually …
Continue Reading about Dominique Charpentier: Carnet de Voyage →
Released in 2000, Hungarian film maker Béla Tarr’s Werckmeister Harmonies is a singular film that asks a lot more questions than it answers. A challenging and visionary experiment, the film chronicles the arrival of a circus featuring a stuffed whale and a mysterious Prince in a small rural community somewhere in Hungary. In …
A lonely professional letter writer going through a difficult divorce process, Theodore (Joachim Phoenix) falls in love with “Samantha”, an artificially intelligent Operating System (OS1) voiced by Scarlett Johansson. Written and directed by American screenwriter Spike Jonze [Being John Malkovitch (1999), Where the Wild Things …
A solitary female alien (Scarlett Johansson) drives around suburban Glasgow and the Scottish Highlands, befriends isolated men, lures them into her white van and brings them to derelict houses where they disappear. A mysterious biker follows her movements and cleans up afterwards. This is the basic premise for British director …
Love stories, infidelity and midlife crises are conventional and recurrent themes in cinema, but indie film maker Drake Doremus manages to offer a fresh take on the genre with his new film Breathe In (2013). By using hand-held cameras and letting his leads semi-improvise the dialogue, the director strikes a fragile and …
