Two simple chords, a few notes on the piano and a soaring theme on the flugelhorn. Neither classical nor jazz but floating somewhere in between, a slow piece replete with subtle internal rhythms, “Her first dance” is a superb composition by Ukrainian pianist Misha Alperin. Instantly captivating and quintessentially spellbinding. Misha Alperin’s Her First Dance was […]
The Gloaming: Live in Dublin
The Gloaming is a new Irish “supergroup” composed of Sean Nós singer Iarla Ó Lionaird, pianist Thomas Bartlett, hardanger fiddler Caoimhín Ó Raghallaigh, fiddler Martin Hayes and guitarist Dennis Cahill. A 21mn live track recorded in August 2011 at the National Concert Hall is available to listen to & download on Bandcamp and an album is due in the […]
Martin Hayes and Mary MacNamara: John Naughton’s/Tommy Coen’s
Featuring Martin Hayes on the fiddle and Mary MacNamara on the concertina, this is a vintage clip dating back to 1981 from the RTE TV archives (available on the Come West Along the Road DVD). In the Irish traditional music context, musicians from East Clare tend to play jigs, reels and hornpipes at a slower pace and […]
Sam Jackson: The Gramophone
Sam Jackson is a Dublin based pianist, but when I heard “The Gramophone” for the first time on the radio, I mistook it for what could have been a track from an early recording from the Esbjörn Svensson Trio. Sam Jackson’s music is of the same calibre. “The feeling I have something to say, the great difficulty […]
Brad Mehldau: River Man
Any version of Nick Drake’s River man will always stop me in my tracks. The unusual time signature and the eerie contemporary classical arrangements to the original song make it such a rich ground for covers. If Norma Waterson’s version introduced me to the song, it is Brad Mehldau’s cover I keep coming back to. […]
Ibrahim Maalouf: Will soon be a woman
Born in Lebanon and now based in France, Ibrahim Maalouf is a young jazz trumpet player whose sound can truly be described as unique. Ibrahim Maalouf plays a “hybrid” trumpet fitted with a fourth valve, allowing him to play the quarter tones specific the Arabic melodic modes and scales. The instrument was designed in the late […]
